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The sense of poise created, as people move through spaces or talk back and forth, objects often leaving the frame in one direction as another enters from the opposite side, achieves a soothing rhythm.

Walpoth knows how to handle action, and there’s plenty of it here, up close and messy, characters improvising in ways that tend to test stunt teams much more than smooth martial arts moves.

If you like your cinema challenging, uncomfortable, exciting and enlightening, check this out.

This low-key coming of age drama pokes gently into questions of faith, temptation, family and belonging.

Intelligent and sophisticated.

Edoardo Vitaletti packs his frames with detail, even when the decoration is relatively sparse.

While it might be a bit too heavy handed in terms of symbolism and part of a very crowded genre, Lymelife isn't guilty of any major sins either.

Despite its 86 minute running time, the pace of the film is slow and languid.

While the ending is not too difficult to guess, the subtleties reverberate beyond the simplistic plot.

Shyamalan continues to cut a swathe through mainstream Hollywood, while retaining an integrity and refusing to compromise his vision.

Melodies like this find magic in the familiar.

It avoids sentimentality and explores layers of damage beneath the surface of family relations.